The Bad Boys Honkin' On Bobo
When you think of the blues you think of Memphis, Chicago and Mississippi. All places where the blues were nurtured and grew to be a benchmark of the American music scene. Now you can add Boston to that list. The original 'bad boys' of American rock are back at it again with their new album, 'Honkin' On Bobo'. And who better to do a blues-themed album than Aerosmith. Look at the group's previous albums and you'll find that they are drenched in blues. From the guitar riffs to the rhythm to the back beat to the vocals, they ooze blues. And 'Bobo' showcases the blues in a way that only Tyler and company could deliver.

The album starts with Bo Diddley's 'Road Runner', but you can forget the gunslinger's version. Perry's guitar work and Tyler's salacious vocalling make this a great opening song that delivers a one two punch that would make Marvin Hagler reel in his shoes. Don't sit down yet, though. Next is a raucous romp through 'Shame, Shame, Shame' and Miss Roxy is once again immortalized in a brand new, filthy way.

'Eyesight To the Blind' proves Tyler was born too late. I can conjure up images of him belting out a blues song in some run down road house with just a harp as his weapon of choice. Then it's back into full swing with an adrenaline charged rendition of 'Baby Please Don't Go'.

Tyler's remake of Aretha's 'Never Loved a Man' (in this case 'Girl') can be summed up in one comment. 'Damn, I love that song'. 'Back, Back Train' with Joe on lead vocal isn't as strong as the Tyler tunes but it's more than deserving of being included in this collection.

'You Gotta Move' is about as close as you'll come to the all out rockin' that fans got from the pre-'Rocks' era. But it delivers a great 'knock you on your ass' combination. 'The Grind' is the only original penned composition and is reminiscent of the 'Crazy / Cryin' / Amazing' time period. But don't let that get to you if you thought they sold out to radio back then. This song has a bite to it and you will need your rabies vaccine updated.

Willie Dixon's 'I'm Ready' could have been a follow up to 'Lord Of Thighs'. Perry, Hamilton and Whitford shine on this song. 'Temperature' smokes. And it smokes big time. Straight ahead blues riffs and a raspy vocal to die for. 'Play that harp, Steve'.

'Stop Messin' Around' allows Joe to stop messin' around and get down to business as usual. Having fun with a great pre-Buckingham/Nicks Fleetwood Mac song. You remember...before they went commercial. And the final track is the ultimate wrapup for this collection. 'Jesus Is On the Mainline' delivers in so many ways. Joe's slide guitar to Tom's acoustic guitar...The simple revival-like vocals...The use of a pump organ...It all leaves you wanting more.

Does the album click? It sure as hell does. On all cylinders. While other artists are doing the old classics and trying to reinvent themselves (Rod Stewart for one), Aerosmith stays true to their roots and reinvents the genre they admired and emulated throughout their career and brings a fresh new look and feel to the blues. So if you ain't been 'Honkin' On Bobo' lately, give it a blow.

* Richard Blaine's views and opinions do not necessarily reflect the views and opinions of the staff at Twin-Music.

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